Planning: The Pitch task 10 by Lily

Planning: The Pitch task 2 by Lily

Planning: Technical Skills Audit

•We are partially trained in the use of Adobe After Effects and Premier Pro

•After Effects allows us to add titles within our footage using a vast array of different effects, fonts, and type faces

•We have also gained experienced using Premier Pro to cut, trim, edit sound levels, and add layers and sound effects

•On the hardware side, we have learned how to successfully transfer files from SD cards to HDDs

•In addition to this, we can now operate Cameras and use them in conjunction with a tripod to create a myriad of shots and angles

Planning: Sound

•Exclusive use of non-diegetic sound, primarily music

•The soundtrack for the title sequence will include recognisable music, which however will be used ironically or processed slightly (with distortion, flange, or slight pitching shifting) in post-production to create an uneasy or dissonant sound to it

•‘Hungary Rhasphody No.2’ by Franz Liszt - https://www.youtube.com/watch?v=qnEv4GpEWUE

•This may be used in our title sequence as horror has an orchestral tradition which is prominent in the soundtracks to films like ‘Psycho’ and ‘Asylum’. The piece itself may work well with the title sequence as it begins abruptly and slowly evolves, allowing for synchronization of fast cuts and titles in addition to pacing to aid in creating a narrative within the title sequence. The solo instrumentation of the piece also gives leeway for any additional effects or sounds that maybe added later in production.

•Nero Di Marte – ‘L’Eclisse’

     https://www.youtube.com/watch?v=aEv0CaMT4M4

•On the more contemporary side of the spectrum is this piece, which involves a more atmospheric use of sampling in conjunction with distant and eerie production; this is almost akin to the soundtrack used in the opening of ‘Seven’. The track may work well with our title sequence as it utilises a large soundscape within itself that emulates what can be found in most modern horror, whilst also providing a driving feeling that would assist in directing the narrative

Planning: Distribution Information

•Independent Production

•Possible distributors include: Lionsgate Film, Hammer Films, and Blumhouse

•Hammer Films is most likely to distribute our film due to their UK base of operations and 80 year legacy of horror film production and distribution spanning from 1958’s Iconic ‘Dracula’ to more contemporary titles such as ‘The Woman In Black’

•The company also has a large distribution network with connections with Momentum, whom distribute a large amount of successful films in the UK, e.g. ‘Sinister’

•International Distribution will be handled by the parent company, Entertainment One, whom are partnered with distribution companies like Lionsgate, Studio Canal, and Colombia Pictures

Planning: Target Audience (Omara)

Based on the research we carried out, our core target audience would fit the description of:

Gender: Male
Age: 16-25
Class: Working class
Location: London

Our wider target audience would fit the description of:

Gender: Any
Age: 15-30
Class: Lower-Middle class
Location: UK

As our target audience is considerably young, we will attract our audience by providing a thrilling and exhilarating experience. As our film is set in London, It will attract and intrigue our core target audience. We will make sure that our audience will be able to relate to the film by using making sure its not too unrealistic.

Planning: Risk Assessment (Omara)

The main risk we would be faced whilst creating our title sequence would be our equipment being lost, damaged, or stolen. To prevent this from happening we will keep the equipment in the protective casing whilst travelling and make sure that none of the equipment will be left unattended as well as making sure to be extra aware and careful whilst handling the equipment.